| | Western Golf Association Donates
Treasured Photos To USGA Museum
Comprising some 15,000 images, the historic
collection may be the fabled "lost" archive
of Golf Illustrated magazine, published in golf's
Golden Age  February 25, 2009
By Ellie Kaiser, USGA
The USGA Museum's photo collection is in a constant state
of growth thanks to acquisitions and donations from a variety
of places. In March, 2008, the Western Golf Association (WGA)
sent the Museum eight large boxes of photographs. Founded in
1899 by 11 Chicago-area golf clubs, the WGA decided that the
photographs ought to be properly preserved and made readily
available to a broader audience.  | | This image of Gene Sarazen after
winning the 1932 U.S. and British Open titles is part of
the collection donated to the USGA by the Western Golf
Association. (USGA Museum) |
With more than 500,000 photographs, including original
black-and-white prints from the beginnings of golf
photography in the U.S., and an extensive collection of
contemporary images, the USGA Museum's photo collection is
already one of the world's largest. But as the Museum staff
began to open the boxes from the WGA - an assemblage of some
15,000 images stashed in a myriad of envelopes, sleeves and
folders -- we soon realized the significance of the donation
in terms of historical value: The photographs might very well
be the fabled "lost" archive of
Golf Illustrated
magazine.
Founded in New York City in 1914 as
Golf Illustrated and Outdoor American
, later shortened to
Golf Illustrated
in 1919, the monthly periodical was established to
"furnish golfers with a wealth of reading and
illustration" and featured instruction, tournament news,
opinion, fashion advice, photographs and advertisements for
the well-to-do player. The magazine published contributions
from leading golfers and champions of the day like Francis
Ouimet, Jerry Travers and Harold Hilton. Horace Hutchinson,
Bernard Darwin and John G. Anderson were its exemplary early
columnists.
Golf Illustrated
counted among its editors the influential architects Max Behr
and A.W. Tillinghast. As a consequence, the magazine had
strong leanings toward course architecture, and the resulting
depth and breadth of architectural photos in its archive were
not a coincidence. Golf Illustrated
ceased publishing in 1935, during the depths of the Great
Depression, shortly after being purchased by the Hewitt
Publishing Company, which owned an early version of
Sports Illustrated
(though not the more famous Sports Illustrated begun by Henry
Booth Luce in 1954). The final edition of the magazine in the
USGA Library is the July/August 1935 issue, though there were
plans for a September issue. After the magazine folded, very
little is known about what happened to its photo archive,
though the magazine itself remains one of the finest
chronicles of golf in its "Golden Age." "We have always suspected that the collection of
Golf Illustrated
images was out there," said Rand Jerris, director of the
USGA Museum, "and we have always hoped that it would
turn up some day." While there is no confirmation that this is in fact the
Golf Illustrated
collection, we believe it might be due to the information
provided by the WGA and the content of the individual
photographs. "The story I heard was that the original
Golf Illustrated
went out of business in the 1940s and someone there donated
[the archives] to the WGA," said Gary Halloway, WGA
communications director. "It clearly is a collection
that would not have been expected to be in our archives, as
almost all of the photos are unrelated to WGA
events." The USGA Museum staff has spent the last nine months
sorting through the tremendous array of images, identifying
the historically significant photographs and organizing
everything to be integrated into our archival filing system.
Many of the images have the original caption information from
when they were first printed. At this point in the archival process we have alphabetized
all the players and are now working on the course images.
With every folder we open we are amazed by the beautiful
imagery that exists within. Among the 15,000-photograph treasure trove are some 3,000
black-and-white images from golf courses in the U.S., Canada,
England, Scotland and Wales, with a few images from other
countries such as Colombia, Italy and Puerto Rico. The other 12,000 images feature players from a variety of
tournaments, including both USGA and non-USGA events. Some of
the notable players and champions include: Gene Sarazen,
Denny Shute, Billy Burke, Patty Berg, Tommy Armour, Olin
Dutra, Leo Diegel, Francis Ouimet, Willie MacFarlane, Ted
Ray, Sam Snead, Glenna Collett Vare and Walter Travis. "The WGA wanted to make the images available to a
wider public audience," said Halloway. "Thus, we
donated them to the USGA for secure archiving and public
access." The images donated by the Western Golf Association now
have a permanent home in the USGA Museum. These highly valued
photographs will be stored and cared for in the Arnold Palmer
Center for Golf History and will be used to educate future
generations about the game of golf. Over time, as these
images are scanned into our digital archive, more and more of
them will once again be available to the golf community, just
as they might have been decades ago on the pages of
Golf Illustrated
. Ellie Kaiser is the assistant manager of the USGA Photo
Archive. Contact her with questions or comments atekaiser@usga.org. The USGA Museum's Seagle Electronic Golf Library
includes all Golf Illustrated issues from 1914-1934. To
view photos and articles from specific issues in .pdf
format,
click on this link to access SEGL. |